Modern Medieval

The neglected, though not forgotten rites of the Medieval musical arts illuminate the musical manuscript anew as JACK explores the connections of musicality and thought between European composers of the past and the voices of American music today. The mysterious Rodericus and satirical Solage are viewed anew through the lens of JACK's own masterful arranger Chris Otto. Meanwhile, pieces by JACK's friends, Caroline Shaw and John Zorn, connect us to our musical forebears, using ancient harmonies, imitations, games, and secret messages as the jumping off point for unexpected journeys through magical, amorous, and dangerous tales. Closing the program with a quest for spiritual renewal, George Crumb's theatrical Black Angels uses distorted reference to ancient music and impressionist colors to plumb the depths of the human struggle in times of war.

These pieces use ancient harmonies, imitations, games and secret messages as the jumping off point for unexpected journeys through magical, amorous, and dangerous tales.
— Chris, violin
Sample Program: Modern/Medieval 2 Duration
Caroline Shaw: Entr'acte (2011) 12
Rodericus: Angelorum Psalat (14th century, arr. Christopher Otto) 5
John Zorn: The Remedy of Fortune (2014) 16
Nicola Vicentino: Musica Prisca Caput (16th century, arr. Christopher Otto) 4
George Crumb: Black Angels (1970) 20
Total Run Time 57'

This sample program can be revised in collaboration between JACK and the presenting venue.